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Best Sellers

Hardcover Fiction

Week of November 8, 1998

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THE VAMPIRE ARMAND
Anne Rice
Cover of THE VAMPIRE ARMAND

THE VAMPIRE ARMAND

by Anne Rice · Knopf

2 wks on list

Armand, the nubile Venetian, the living, breathing remnant of the high Renaissance, narrates his own story here, and his world-weary perspective is a subdued contrast to the bombast of Rice's usual hero, the egomaniacal rock star/French fop Lestat. A complicated, sexually ambiguous pretty boy with an evolving but perpetually twisted relationship to Christianity, Armand at times comes across as endearingly muddled as any modern teen. Unfortunately, he can also be just as irritating. He may be 500 years old, but Armand apparently still has neither the depth to passionately probe his religious mysteries with convincing fervor nor the sense of humor to see the ridiculousness of his quests.

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ALL THROUGH THE NIGHT
Mary Higgins Clark
Cover of ALL THROUGH THE NIGHT

ALL THROUGH THE NIGHT

by Mary Higgins Clark · Simon & Schuster

2 wks on list

Retired cleaning lady Alvirah Meehan sets out to reunite a mother with a daughter who was stolen as a baby eight years earlier. The mother left her pram outside a church and the pram was taken by a church thief to hide his loot.

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THE POISONWOOD BIBLE
Barbara Kingsolver
Cover of THE POISONWOOD BIBLE

THE POISONWOOD BIBLE

by Barbara Kingsolver · Harper Flamingo

2 wks on list

The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. What follows is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the self-centered, teenaged Rachel; shrewd adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility. Dancing between the dark comedy of human failings and the breathtaking possibilities of human hope, The Poisonwood Bible possesses all that has distinguished Barbara Kingsolver's previous work, and extends this beloved writer's vision to an entirely new level. Taking its place alongside the classic works of postcolonial literature, this ambitious novel establishes Kingsolver as one of the most thoughtful and daring of modern writers.

6
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RAINBOW SIX
Tom Clancy
Cover of RAINBOW SIX

RAINBOW SIX

by Tom Clancy · Putnam

12 wks on list
8
NEW
WELCOME TO THE WORLD, BABY GIRL!
Fannie Flagg
Cover of WELCOME TO THE WORLD, BABY GIRL!

WELCOME TO THE WORLD, BABY GIRL!

by Fannie Flagg · Random House

Welcome to the World, Baby Girl! is the funny, serious, and compelling new novel by Fannie Flagg, author of the beloved Fried Green Tomatoes at the Whistle Stop Cafe (and prize-winning co-writer of the classic movie). Once again, Flagg's humor and respect and affection for her characters shine forth. Many inhabit small-town or suburban America. But this time, her heroine is urban: a brainy, beautiful, and ambitious rising star of 1970s television. Dena Nordstrom, pride of the network, is a woman whose future is full of promise, her present rich with complications, and her past marked by mystery.

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THE HUNDRED DAYS
Patrick O'Brian
Cover of THE HUNDRED DAYS

THE HUNDRED DAYS

by Patrick O'Brian · Norton

4 wks on list

"One of the best novelists since Jane Austen…The Hundred Days may be the best installment yet." —Philadelphia Inquirer Napoleon, escaped from Elba, pursues his enemies across Europe like a vengeful phoenix. If he can corner the British and Prussians before their Russian and Austrian allies arrive, his genius will lead the French armies to triumph at Waterloo. In the Balkans, preparing a thrust northwards into Central Europe to block the Russians and Austrians, a horde of Muslim mercenaries is gathering. They are inclined toward Napoleon because of his conversion to Islam during the Egyptian campaign, but they will not move without a shipment of gold ingots from Sheik Ibn Hazm which, according to British intelligence, is on its way via camel caravan to the coast of North Africa. It is this gold that Jack Aubrey and Stephen Maturin must at all costs intercept. The fate of Europe hinges on their desperate mission.

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THE REEF
Nora Roberts
Cover of THE REEF

THE REEF

by Nora Roberts · Putnam

4 wks on list

When Tate, a student of marine archaeology, joins with the mysterious Matthew Lassiter to dive in search of a jewelled amultet called Angelique's Curse, she hardly expects the danger and the passion she encounters.

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MEMOIRS OF A GEISHA
Arthur Golden
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THE LOCKET
Richard Paul Evans
Cover of THE LOCKET

THE LOCKET

by Richard Paul Evans · Simon & Schuster

2 wks on list

The love story of David and MaryAnne Parkin and the storms that their relationship must face when the blissful state of romance vanishes into real-life challenges and difficulties.

15
NEW
I KNOW THIS MUCH IS TRUE
Wally Lamb
Cover of I KNOW THIS MUCH IS TRUE

I KNOW THIS MUCH IS TRUE

by Wally Lamb · Regan Books/HarperCollins

With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.

Historical bestseller data sourced from the New York Times Book Review, archived by Hawes Publications.